Interview and mix on a German radioshow

I was recently interviewed for a German radioshow, Vinyl Asyl, by the host of the, DJ Dash.
We had a little talk about this and that regarding production, DJing, etc., and I did a little 35-minute mini mix for them.
The intro words are in German, the rest in English.

TRACKLIST:
Yona – Kevätfiilis [Fanu remix] (free download)
Mineral – Living The Dream [Esc & Subsense remix] (Lightless)
Out Of Fuel – Sneaky (Lightless)
Fanu feat. Gigi – Abyssinia (Lightless)
Fanu – A Gap Of No Mind (Lightless)
Ricky Force – Falling (Pressin’ Hard)
Fanu – Above Waters (Lightless)
Stray – Ginseng Smash (Critical)
Mental Duo – Psyfunk (dub)
Fanu – Hop And Bass (Lightless dub)

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A plan for the summer / a note to self

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As I announced earlier in the year, it’s been in the plans to work on an instrumental hiphop album.
In January, I purchased an Akai MPC 2500, then an MPC Renaissance and a broken Akai MPC 2000 XL (which I fixed).
The outcome of getting all those machines was that I started nearly 30 instrumental hiphop tunes / beats / ideas.
In the process I also found out what’s the most suitable machine out of those three for my workflow, and it’s definitely the MPC Renaissance, and luckily, I can import all the projects started on the other two into it. Win.
The idea phase is now over, and it’s time to start putting in some work to get some results.
Hence, I make a promise to myself to work on the hiphop beats album as much as I can in the summertime. Time to buy an MPC Studio so I can also work on the songs when I travel.

I also took down all hiphop beats tasters from Soundcloud; no more tasters! The next time I’ll offer something is when the thing is DONE.

There’s also a dnb-oriented album in the works, but that has to be on the backburner for a while, which really doesn’t mean it won’t get done: working on hiphop beats has been a great departure from drum and bass, and it’s always refreshing to explore new arenas. I bet once the hiphop album is done, I’ll be craving pretty badly for drum and bass again.

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Radioshow archive (May 18, 2013)

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Was solo this time as Docius was somewhere else. I think I had a fairly good run and was able to build a little storyline.
(there’s a few non-mixing transitions as I now have to play commercials three times in every show; I edited those away)

01. Dom & Roland – Dawning (Saigon)
02. Scape – Retrospect (Jungle Syndicate Digital)
03. Cedar – Equinox (Good Looking)
04. Nookie – Innersense (Good Looking)
05. Makoto – Treasure Towers (Good Looking)
06. Seba – Planetary Funk Alert (Good Looking)
07. Makoto – Take My Soul Baby (Good Looking)
08. NCQL – Professional Daydreamer (Subtle Audio)
09. D-Bridge – Creatures Of Habit (Exit)
10. Mental Duo – Psyfunk (dub)
11. Amit & Rani – You Look Better Dead (Metalheadz)
12. Goldie & Natalie Duncan – Freedom (Metalheadz)
13. Ulterior Motive & Judda – Timekeeper (Subtitles)
14. Future Cut – Obsession [Ulterior Motive remix] (Metalheadz)
15. Dom & Roland – Soundwall VIP (Moving Shadow)
16. SPKTRM – Nocturne (Project 51)
17. Amit – Killer Driller (Metalheadz)
18. Dom & Roland – Enforced VIP (Dom & Roland Productions)
19. Randomer – Ball Of Fire (?)
20. Cern & Verb – Degeneration (Dispatch)
21. Yagura – Genesis (Lightless)
22. Subsense – Movin (Lightless)
23. Fistfunk – Raindance (Lightless)
24. Fanu – End Of An Era (Lightless)
25. DJ Trax – Semiconversational [Fanu remix] (Audio Buffet)
26. Bad Loop & Valveuni – Ollaan Hiljaa (Lightless)

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Fanu’s Breaks ‘n’ Beats Podcast # 2

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(there’s also a streaming player at the bottom of the post, and podcast should be found on iTunes shortly, too)

So here we are with brand spanking new episode of the Breaks ‘N’ Beats Podcast series!
As I kicked it off two months ago, it was my plan to do this every two months or so, so recently I started getting the itch to record a mix, and this is the result.

At this point I also want to say that I’m super hyped about how well the first episode was received, so thanks to all for that.
I’m eager to continue the series, so here we go! (also don’t miss the little merch giveaway this time, which is at the bottom of the post)
As I said, the main focus will be on drum and bass as that is my main love, but there will be other stuff coming, and the next episode or two will be about downtempo and hiphop.

This time, there’s both old and new dnb, just as I always do. I might also add that this is the kind of stuff that I also play out as a DJ and this could well be a set I’d play at a dnb event.
I’m also happier than ever about the fact that this sort of stuff does work on the dancefloor. Every now and then there’s debate over that but I think the “dnb climate” of today is now so open that every time I happen to play out, whatever I play is always well received.

Now, I’ll just cut to the chase, and, as I want to do each time, I’ll write little descriptions and thoughts about why I happened to pick each track for the mix.

1. Fistfunk – Do It Right (Lightless dub)
Again, I happened to kick off with some Fistfunkery. IMHO, he is one of the most original dnb artists out there. Fistfunk is capable of doing a lot of soulful stuff (you should hear some stuff he’s holding) as well as some utter sickness, as was demonstrated by the Fistfunk EP on Lightless.
I’m also more than happy to announce that Fistfunk is working on a full-length album for Lightless – and there will be vinyl.

2. Fallen Angels feat. Loletta Holloway – Rapier (Sirkus)
A few years ago, a friend of mine (big up, Martti!) played this for me and I was hooked! This is pretty damn dope stuff, and I swear I’ve never heard anyone play this anywhere.
This is groovy shit. Get it; I bet you can find the CD / LP online. There’s also a 12″ of this track.

3. Fracture – Gangbusters (Metalheadz)
I’m well happy to see Frax on Headz. Well deserved. It’s been interesting to see Fracture move from more breaky stuff to the more juke-influenced beats, and this stuff goes down like a bomb. This is also a track will fit anywhere in a mix, allowing to take your set in any direction you want to go.
A nice little memory to add here is that very recently I was playing at an open-air festival in Russia, where they played music non-stop – literally. I went to sleep (in a tent not so far from a proper Funktion One soundsystem!) around 4, got up around 8:30, and they were still playing dnb, and I heard the DJ drop this one. Hearing it in the middle of a forest while having the sun shine on your face was a nice moment.

4. Black Science Labs – Hypnotic (Certificate 18)
Good old Teebee with his techier stuff. Grand, just grand. Also, the award of the best intro that transforms to something entirely different goes to this tune. You can find it on the net, so check it in its entirety if you can to appreciate it in all its glory.

5. Rufige Kru – Vanilla VIP (Metalheadz)
A free download from the Metalheadz site. Get it! Has the same pad sound as Adam F’s “Metropolis”, which got my attention in the first place.
I know this is super geeky, but I’m a total sample nerd, and hearing the pad sound kind of rubbed me the wrong way the first time I heard “Vanilla VIP” but I guess if there’s any label that can do it, it’s Metalheadz, after all, who released the original Metropolis. Another track that works on the floor.

6. Eastcolors – Watch Out [Enei remix] (Symmetry)
Coming across this track was a coincidence. Was browsing some Symmetry tracks online and found this. Gotta dig it.

7. Pulse – Stay Calm [Equinox remix] (Creative Wax)
Equinox doing another amen workout, retouching an old classic, definitely paying respect to the original.
If this doesn’t get the dancefloor going, you’re playing for the wrong crowd.

8. Fracture & Neptune – Colemanism (Outsider)
This is from the days when “drumfunk” was definitely going through a revival movement in a way. Brings back memories from 2004–2005 when certain producers – such as F&N and yours truly – were hell-bent on chopping beats and making shitloads of “choppage” tunes. But this is one of the best that came out of that era. Guys sampled as much from the original amen song as they could, doing something that no-one (afaik) had done before that. Respect is due here.

9. Goreteks – Nha Trang
I’m not sure if this one ever came out, but at least you can get some other tracks by Goreteks here for free, and they’re equally dope and remind me of Source Direct quite a bit, which is always a good thing. Bigglesworth.
EDIT: Forthcoming on Criminal Records Digital.

10. Paradox – Scorpius (Samurai Music)
The dnb breaks don flexing the classic “Scorpio” break (by Dennis Coffey) in a way that hasn’t been done before. Released on Samurai Music, both vinyl and digital.
What else needs to be said? You know it’s by Paradox, so you know it’s hella legit. Cop it.

11. Break – They’re Wrong (Symmetry)
I’ve been playing this one a lot. I like the sort of happy vibe. The production is big. It’s the sort of track that you can play so damn loud and it doesn’t really kill your ears the a lot of modern “speaker-test” dnb tends to do. This one is for the summer nights.

12. Personelle – Rebound (LME Records)
Now here’s an old classic I keep forgetting. I recently heard it again on Science HKI‘s radio show and had to pull it out myself. This is one of those dnb tracks that never end – in a good meaning – and which you don’t want to mix out of too soon as you want to appreciate the good subtle groove and the beauty of the vibe. Another such track is Seba & LoTek’s “So Long“.

13. Fracture – Clissold [Machinedrum remix] (Astrophonica)
Dope, dope. Also, the award of the best pre-drop sample (“Roll that shit up!”) goes to this one.

14. Fanu – Hop And Bass (Lightless dub)
Here’s an unreleased track by yours truly, dnb half-tempo / hiphop hybrid. Will be on one of the two albums that are being worked on at the moment.

15. Fanu – Unia (Lightless)
A track from the “Daylightless” album where I wanted to do something a little different in terms of rhythm and keep it all kind of dark and cold.
Also, christ, at least I learned as I was in the mix that this did not match with the track before this one as the beats, which were so different, really didn’t go well together. I always have the biggest problems mixing my own songs. Go figure.

16. Stray – Follow You Around (Blu Mar Ten)
Wanted to wrap up the mix with something beautiful that kind of transcends d&b, and this is the very perfect choice for it. I can’t describe this – it’s beautiful. Listen to it and enjoy.

And now, as I said there’d be a little giveaway, let’s check that out.

A good friend of mine liked the bear logo (which was recently launched as the Fanu artist logo) and being kind as she is, she made me a few keyrings and magnets in the shape of the bear.
I was really surprised by that and grateful for the kind act. I want to pay forward the good deed, and I’ll be giving out ten keyrings to those who dig them and believe in good beats.
To take part in the giveaway, just leave a Facebook comment in the space below this post and let me know why you should get one of those bears, and I’ll decide the winners later and send the goodies out.

Now, I’ve said enough – you, get busy with the beats and enjoy life!

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“Dreams Are Like Water” – a few thoughts

I was discussing some Fanu tracks with some fans, and this one came up.
Sometimes I get asked, “What’s your personal favorite out of all songs you’ve done?” and after thinking of that for a while, I usually say it’s this one.
In terms of writing a song for a purpose, in a way, I succeeded pretty well in my opinion, because I managed to capture with this one a certain mindstate and I still get back to that same mindstate when I hear this one. I think that’s one of the purposes of music.
This song is an ode to neverending summer nights. It was around 2004 or so, and I always used to stay up all night, working on music using old samplers, fascinated by the whole process of sampling and combining sounds and by the certain aspect of “musicality” that was triggered in me by the nighttime vibes when it was just me and the music. The sun always came up around 6 a.m. or so and I always felt very pleased. It was like a spiritual moment every time, and I felt that I had succeeded: I really lived for that moment, and for that moment only, which I think is what we all should do more often.

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The Breakbeat Sound Of Finland out now!

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Lightless Recordings presents: The Breakbeat Sound Of Finland Volume 1.
A compilation of breakbeat music from some of Finland’s most promising producers.
OUT NOW through all digital outlets (Digital Tunes, iTunes, Bandcamp, Boomkat, Chemical UK etc.)
Also see the release event in Helsinki on June 1.

The idea once hit me that I’d try and find Finnish breakbeat music (dnb, non-dnb) that I’d relate to and show it all to the world. As soon as I started contacting people, I realized this was going to come together really well.
It was a plan for me for a long time that I would compile an album by Finnish breakbeat music producers to highlight the type of music that gets created in this cold, remote country of ours, but it took me a while before I could initiate it because, as a freelancer and an artist, you always have a little too many ideas waiting to started in the back of your mind. However, when it started rolling, the compilation almost put itself together without me having to do much about it, and I think there was a bit of luck in there as well as almost every track that was sent to me made me feel the “OH yeah!” feeling that I need if I am to put that track on my DJ playlist. It also makes me happy to realize that I think producers who wanted to get involved got the idea of what Lightless represents (there are plans to work with some producers towards a bigger release in the future).
What I’m also very happy about is that the artist, Lonekink – who did the artwork for the compilation and who has been doing all Lightless artwork recently – is also living in Finland, so this is as domestic for me as it gets.

In terms of the music we make in Finland, I’ve often found that there is something that many Finnish producers share: I think that in the music, you can hear it as a sort of sweet melancholy.
A lot of us write music that isn’t very happy (without sounding too desperate either) and I think that’s what we are pretty good at – because it comes out naturally.
We’re not always “the most smiling nation” and in a crowd, we won’t be the first ones to strike a conversation – even though inside of us all we’re kind and friendly. You just have to get to know us, that’s all.
Sometimes it may take a drink or two but hey, from there, it’ll be uphill all the way.

I can say I am extremely proud of the bunch whose music I have the honor to be releasing. There are 14 tracks that I really like, and I believe in all of the producers who are on the album.
Many of them are active contributors to the dnb scene in Finland, which is great.
I didn’t want to put myself there at all as I always have enough projects of my own, so this is only about the others, and I think all these guys really deserve the chance to be heard, and I wish you do a little research on them if you find their music something you end up liking.
I know you can’t really describe music with words very well – or, you can, but it’s almost pointless – so I’ll let everybody hear what’s cooking instead me trying to explain it too much.

Finally, it has to be said that nothing makes me happier than realizing that in my very own country, I can find the type of music that I love the most.
I find this album monumental in terms of Finnish breakbeat music.

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Ableton Live workshop in Helsinki June 15–16

workshophkikesa

In co-operation with Eximia, I’ll be doing a two-day Ableton Live workshop in Helsinki on June 15–16.
We can only take 15 participants so be quick if you want to be there.

This is the second Ableton Live workshop in Helsinki, and I’m also planning to do more as well as start giving private training soon.
Everyone willing to hear more can send an email to info@fanuslivetraining.com

To sign up and for more info on the June workshop, see the Eximia page.
The workshop will be done in Finnish, but private training can and will also be given in English.

Posted in ableton live, ableton live tips | 1 Comment

Recent thoughts about being an artist and losing the ego

As I’ve got older, I’ve found that I’ve gotten way less selfish and less ego-centric, and in the process, my hunger for any “fame” relating to being an artist has lessened to a great extent.
It feels GREAT.
I know I’ve never tried to reach for huge success or anything too crazily (I guess my musical choices alone say that) but I can admit there’s been moments when I’ve been very unhappy and thought I need to “make it” and get bigger in order to enjoy it more. I have finally realized that is false and a great hindrance to fully enjoying what I’m doing.
I finally feel extremely free of any kind of pressure.
I know this sounds like some hippy stuff in a way, but I finally feel like I’m only contributing to the awesome “collective movement of music”, and the music’s just coming out and happening thru me and in a pretty unselfish way where I’m not expecting to get any recognition for it.
I’ve never felt better about making music, and I’ve never been more inspired or felt more light-hearted.
I’ve got a HUGE amount of music in the works, and I can start a new song/idea almost every day.

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“Jungle is massive”…again?

There’s a nice article on the Mixmag site about what Jungle Syndicate are doing.
Check it out!

Some stop dancing to hold their copy of the record aloft, like a placard in a protest against watered-down drums. It would appear that the breaks are on the rise again…

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How to measure success?

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You may find yourself asking yourself a question relating to your success.
“Am I successful? How to reach success? Have I succeeded in life?”
The answer is simple, and you don’t have to look very far to find the answer.

If what you do makes you happy and allows you to be at peace, you have succeeded.
Happiness is the ultimate definition of success.

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