Category Archives: mastering

About compressing your song

compressors

This article is about compressing a song – I won’t go into compression in general or compressing individual tracks/elements of a song to keep this post on point and brief enough.
(The settings seen in the compressors above are made up – I just wanted to use a pic of Slate VBC because I like it a lot)

The reason I wanted to write about using a compressor to compress a song is that I see that there’s a lot of misinformation being thrown around on music forums (because so many people are doing it these days) Continue reading About compressing your song

About “too attractive” mastering deals (and competition in the field)

mastering-

I haven’t written that much about mastering (aside from the somewhat exhaustive post about the process for me), so I wanted to write a few words about very attractive mastering prices and competition in the field. As I’ve been entering the field myself, I’ve seen a lot competition, stories about really low prices, crazy package deals, and some of that classic “My mate does it for a few pounds and a hot dog”.

Recently, another potential client got in touch with me and said he needs some songs mastered. He had got a quote from another mastering studio: 8 pounds per song. That’s not a lot. That’s roughly 11 EUR.
You can go for that by all means, Continue reading About “too attractive” mastering deals (and competition in the field)

A point about mastering / loudness these days

tuubi

I wanted to raise a point about loudness and mastering these days.
I was going thru some bigger label promos today and was struck by the same feeling I’ve got many times before: it’s too loud.
I know, I know – this is actually old news, and I’ve been happy to see a lot of artists and labels going for sound that’s way less crushed.
However, Continue reading A point about mastering / loudness these days

About high-pass filtering your songs

Some time ago I blogged about getting your sub bass right. Another thing worth mentioning relating to having a good sub is highpass-filtering the song – and being careful with it. Sometimes I see this done wrong in the premasters I receive for mastering, and thought writing about this might help producers to get the sub right. This mostly applies to “bass music” where the sub bass is lower than the kick and where we want to achieve the fat, full low end, but can definitely be used with other genres, too.

Why HP-filter your song? There’s two things.

1) To get rid of excess lows and rumble and to gain more headroom Continue reading About high-pass filtering your songs

How to find unwanted/ringing frequencies in your mix and carve them out?

proq2

It often happens that the sounds we use in music contain a bit of useless noise that only fills up the bandwidth. Our ears get so used to hearing our songs, we may not hear these things while we’re mixing, so this is a good way of removing what’s unnecessary. We end up getting all kinds of small things with funny resonance in our mix, and Continue reading How to find unwanted/ringing frequencies in your mix and carve them out?