Whussup people!
Here’s a quick way to do an effects rack in Ableton Live so you can switch between effects real quick using only one knob and feel like a knobbery king.
It’s amazing for some badass live-ism, of course. It does get you all the chicks (fact: it may only get you some beard-strokers in the front so I take no responsibility here).

Continue reading Ableton tips: quick FX switching →

As I was pretty happy with how my last production-related blog post came out and how nicely it was received, I started feeling that I might make a new one, and I’ve been making notes on my notebook for a while.
So, let’s put those notes into a blog post.

I’d like to share a bit of my philosophy behind getting music done.
It’s easy to do a technical tutorial on how to perform something with a sequencer, but it’s different telling people something that has to do with the mental side of things rather than technical.

All these points are something that I often have to remind myself about and I’ve found that it works. Being a freelancer, I often have a gazillion things on the go and sometimes it’s tricky trying to focus on actually giving making music what it requires if you really want to get something done instead of browsing social media, doing emails, catching up with latest news, etc.

Let me start cutting to the chase here. Continue reading On getting that work done! →

I’d like to become an Ableton Live trainer one day.
That’s why I wanted to start by making a few instructional videos on some of the Live basics.
Here’s a few on some drum basics.

I hope you find them useful.
Feel free to share them.
I’m planning to make more in the near future.
All kind of feedback is more than welcome. Continue reading Ableton tips: drum rack basics →

I haven’t written anything not relating to my own music on the blog for a while so let’s get the bloggery blabbery mode on for a change.

I felt like writing down a few words relating to hard work, patience, and being an artist.
I suddenly felt an urge to write after giving some advice to aspiring producers as well as having some conversations with some budding artists in addition to some older music heads whose faith seems to get tested every now and then.
And, yes, my own faith does get tested occasionally, too, so maybe I can refer to this post the next time I feel that times are tough for me.

The questions that many artists seem to be face periodically are “Is it worth it?”
There’s also the “Will I make it?”
I’ve found myself asking myself those questions a few times, too.
Then there’s also the old classic “I’ve been making music for x–3 years, I’ve sent demos out and I still haven’t gotten any releases out, so should I quit?”

Let me tell you how I see this and throw in my 2c that comes from my own experience.

Continue reading On patience, hard work, and being an artist →

…and, in my case, about sampling and making music.

Without influences – or, things that we can take and utilize further – we’d only end up with a black and white canvas.
We gotta reach out for inspiration.

Jim Jarmusch put it so well:

“Nothing is original.
Steal from anywhere that resonates with inspiration or fuels your imagination.
Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows.
Select only things to steal from that speak directly to your soul.
If you do this, your work (and theft) will be authentic.
Authenticity is invaluable; originality is nonexistent.
And don’t bother concealing your thievery — celebrate it if you feel like it.
In any case, always remember what Jean-Luc Godard said: ‘It’s not where you take things from — it’s where you take them to.'”