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Damian Bennett: When I first heard you it was the early 2000s, from Bailey’s show. The sound was completely unique, not just re the choice of samples or priorities of sounds, but just that your whole approach was very fresh… so tell me what did you wanted to bring to D&B back then?
F: The old D&B aesthetic is what I wanted to bring… strong rhythms, varying drum patterns and breakbeats instead of the same 2-step beat I kept hearing a bit too much. A friend called Rob Brierly gave DJ Bailey a CD at an event and Bailey started playing loads of my stuff on his shows. He even called me and we had a chat on his show and I was nervous as heck, ha ha. I’m still indebted to Rob and Bailey for that one. Damn, that was eight years ago….time flies by so fast.
…read the whole interview – probably the longest and most in-depth yet? – here at Friedmylittlebrain.com.
During a recent trip to Warsaw, I got interviewed about some music-production-related things.
Nothing too serious, but I hope you dig.
Video copyright / courtesy of: Mateusz Telega, Stowarzyszenie 16 Wersów.
…and, in my case, about sampling and making music.
Without influences – or, things that we can take and utilize further – we’d only end up with a black and white canvas.
We gotta reach out for inspiration.
Jim Jarmusch put it so well:
“Nothing is original.
Steal from anywhere that resonates with inspiration or fuels your imagination.
Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows.
Select only things to steal from that speak directly to your soul.
If you do this, your work (and theft) will be authentic.
Authenticity is invaluable; originality is nonexistent.
And don’t bother concealing your thievery — celebrate it if you feel like it.
In any case, always remember what Jean-Luc Godard said: ‘It’s not where you take things from — it’s where you take them to.'”