2020 audio engineering rates

(Janne Hatula / FI27323758)
Serviceprice
MASTERING.
Turnaround 3–8 days – contact for rush rate. Free revisions as long as the mix doesn’t change. For a new mix, there is a surcharge (see below).
€47 / song
revision from a changed mix€15 / song
MIXING+MASTERING from individual tracks / stem mastering.
No track limit. Email for a quote. Most songs are done in approx. 1–3 hours. Minimum charge €90. 
€60/h. Minimum charge €90. 
Individual track export from a finished mix€10
MASTERING + VIDEO. 
Song is mastered + an explanatory video documenting the process is made. Song is compared to strong references. Any possible shortcomings of the mix are pointed out.
€85
MIX + MASTER + VIDEO.
The song is mixed and mastered from tracks/stems, and an explanatory video documenting everything about the process is made.
€60/h. Minimum charge €120. 
Mix/master critique (with no mixing/mastering).
An in-depth video service with commentary.
€45
Constructive criticism on a song.
An in-depth video service with commentary.
€45
General audio engineering / consultation / audio restoration.€45/h
New bounce from new mix (no work required) / vinyl version / Spotify versions etc.€5 / song / version / revision / export
IF YOU ARE IN EU, YOUR LOCAL EU VAT IS ADDED.
Contact regarding batch discounts.
Masters for vinyl / Spotify provided on request.
Reverse VAT (0% VAT charge) for EU companies.

Breaks N Beats Podcast #23

After a half-year break (pun sort of intended), Breaks & Beats Podcast is here with episode 23.

DJ BOOKINGS: fanusamurai@gmail.com

Haven’t been making these as often as I used to, as an almost complete death of DJ booking demand has been discouraging (hey I still wanna DJ!), and I literally haven’t touched the decks for around a year (aside from sampling).
So, time to warm up – and this is a good way to contribute to my beloved culture anyways.
As always, I don’t plan these much, and I certainly don’t practice for mixtapes – it’s a spontaneous one-time performance like real DJ set, and that’s it! 
Autumn’s here, which means this music works better than ever, and I sure as heck I’m fond of these types of vibes.
I did f**k up a bit but that’s what you get when you don’t (have a need to…) practice for a year. But I guess it was an ok effort, considering. Afer recording this one, I actually felt I’d be warmed up for a better/tighter performance, but naaah, can’t do it twice.

There’s supposed to be two vinyl EPs full of this type vibes from myself still in 2019.

TRACKLIST:
Proc Fiskal – Death (Cosmic Bridge)
Maltin Worf – Rock on (Defrostatica)
J Majik – Hold You (Infrared)
HMR – Prophecy (Straight-Up Breakbeat)
SB81 – Headspace (Narratives)
Mister Shifter – Culture War (dub)
Esc – Black Tiles (Straight-Up Breakbeat)
Esc – Arrowhead (Straight-Up Breakbeat)
Dubmonger – Shrouded
Seppa – Trust (Slug Wife)
Jem One – The Hardcore (Metalheadz)
Gremlinz & Jesta – Departed (Metalheadz)
Ray Keith – What Time Dread (31)
Mono/Poly – Teach You All A Lesson (20/20 LDN)
Black Barrel – Lost Meaning (Metalheadz)
Peyote Buttons: Love Of My Life (Fanu remix) [SPUN Recs.]

video: Ableton live gain staging, audio engine and headroom

Let this video explain and clarify things relating to how proper gain staging, headroom, and audio engine work in Ableton Live.
This video will show and explain to you those matters in order to remove and clarify related audio myths once and for all, as there is a lot of confusion and misunderstanding around those matters.

This is an excerpt from my Ableton Advanced video course.
Become an Ableton Live masterget my Certified-Trainer-quality masterclass videos.


microbrute basses back online

I had (or still have) a post about some Microbrute basses I recorded and gave away.
A kind follower pointed out the link wasn’t working.
It hadn’t been working for a while…but it is now!

Grab the samples here!

This is a pack of bass sounds I recorded from my analog Microbrute synth. It’s a small, monophonic beast that creates some pretty hefty bass sounds. The sounds in the pack are not anything super dirty, but they have nice (over)tones that will cut nicely thru your mix, and also, they should be something you can sculpt into many different shapes yourself.

Fanu / FatGyver – music | mastering | production