Being active on social media about music production stuff, I receive questions, “Do you have any tips for me?” on the regular. This video is about my tips to young producers.
Some of my own personal music production philosophy here.
Being active on social media about music production stuff, I receive questions, “Do you have any tips for me?” on the regular. This video is about my tips to young producers.
Some of my own personal music production philosophy here.
I get asked for free mixing, mastering, and beats.
This is my vlog reply.
I did a quick video on how easy it is to create harmonics for your sine wave / subs.

A quick thought relating to mixing KICKS.
One thing I do in my work a lot is fix kicks.
Often, the song is a bass music track and the kick has a bit of a subby tail and the bassline is very rich in subs.
That means we have a problem.
For a kick to be powerful, it should ideally be fairly short. There are no rules, but this is a guideline I tend to stick to.
A kick with a subby tail + a sub bassline = “farting” in limiting.
Something has to be done. That something is often gating the kick to get the subby tail out and making it clean, short, and punchy. Maybe a little sidechain to the bass to make sure they don’t clash.
Another misconception seems to be that for a kick to be nicely present in the mix, it has to have a lot of sub, while actually, a lot of what we perceive about the kick is above subs.
I love making the sub fat but enhancing the “body” of the kick so it nicely stands out in the mix.
In a nutshell…you can’t have a long-ish subby kick and a subby bass. One has to go OR some interplay between them that leaves nice space for both, removing the clashing, has to be created.
Ever wanted to insert a sample before beat in Ableton Live and thought it’s doable but kind of annoying as then you’ll have a gap on the timeline and it messes your tight 16-bar section structure? Well, here’s a tip on how to overcome that…place a sample before the beat, do a little tempo trick, and you’re all set!