It often happens that the sounds we use in music contain a bit of useless noise that only fills up the bandwidth. Our ears get so used to hearing our songs, we may not hear these things while we’re mixing, so this is a good way of removing what’s unnecessary. We end up getting all kinds of small things with funny resonance in our mix, and Continue reading How to find unwanted/ringing frequencies in your mix and carve them out?
The kind fellas over at Reddit’s edmproduction forum suggested I’d do an AMA (ask me anything) session, and we did. A lot of music-production-related talk. Check it out.
[art by Ingrid]
This time, instead of going for more contemporary material, the podcasts focuses on wicked drumworks in D&B. A lot of this stuff is old, and I wanted to include tunes from whom I consider to be among the masters of drumworks in D&B. Continue reading Breaks & Beats Podcast #10: ”Focus On Drums”
I added a bunch of my old vinyl releases as rips on my Bandcamp today.
Some of those releases are pretty hard to find, so getting a vinyl rip is the closest you may get to “the real thing”.
Peep them at https://fanu.bandcamp.com
Bristol–Helsinki EP, the much-promised first Fanu x Coleco release, is here.
Why the name? The whole EP started sort of accidentally by Coleco sending me a break and saying I could try working with it Continue reading Bristol–Helsinki EP
Here’s a thought relating to sub bass in bass music – i.e., music where the sub bass usually sits below the kick on the frequency range. This doesn’t apply to genres such as rock or house, for example, for there you may have your kick lower than your bass in general.
In bass music, we want to have our sub strong enough around 40–60 Hz area, because that’s where the meat is. Continue reading Production: get your sub bass right!!